Collection of high-quality drums, percussion, van-shots and loops!

WaterGEMS is a comprehensive and easy to use water distribution modeling application. WaterGEMS can run in ArcGIS, AutoCAD, and MicroStation, or as a standalone application. From fire flow and water quality simulations, to criticality and energy cost analysis, to advanced genetic algorithm optimization, WaterGEMS comes equipped with everything you need in a flexible multi-platform environment.

Sidney Bechet, the first great jazz horn soloist to be featured on records, was a remarkable soprano saxophonist and clarinetist. He dominated ensembles, often taking over the role of a trumpet or cornet, and was such a dazzling soloist that he ended up being the favorite musician of both Duke Ellington and John Coltrane. On this three-CD set, Mosaic Select has included some of the highlights of Bechet's recording career, although not delving into his later Paris years or his much-reissued association with the Victor label. The first disc has what are arguably his 25 best recordings from the 1920s.

The Mosaic Select series continues -- having released eight impressive volumes n the calendar year 2003 -- this being the last, it's a provocative set in that it compiles five Duke Pearson albums from 1968-1970, all of them centered around his "exotic period: The Phantom, Merry Ole Sole, How Insensitive, It Could Only Happen With You, and I Don't Care Who Knows It. In addition, it places all of those recording sessions in their proper chronological order and includes two completely unreleased tracks.

The 13th volume in Mosaic's limited-edition Select series showcases the late work of the late pianist and composer Don Pullen. Contained within the box are the two fine albums by the George Adams-Don Pullen Quartet, Breakthrough and Song Everlasting. These two recordings were the first the pair had done domestically. The band's previous output was released on Soul Note, and musically very good. Both Blue Note albums are simply stunning. The interplay between the pianist and saxophonist Adams was near symbiotic and was augmented by the stellar rhythm section of bassist Cameron Brown and drummer Dannie Richmond. Three of the four men -- excepting Brown -- were alumni of the Charles Mingus band. These two albums are the best of what post-bop jazz had to offer in the 1980s.