So you’re interested in learning how to play fingerstyle guitar. In this lesson Buster B. Jones will take you from the very basics and start you on the road to fingerpicking. Buster’s no nonsense and clear instruction will have you picking melodies in no time. You’ll find phrase by phrase instruction for all the exercises and songs. Split-screen techniques are featured so that you can study and clearly see what each hand is playing.

"This three DVD set features new and archival footage of performances by the preeminent names in steel-string fingerstyle guitar. Beginning with Peter Finger's breathtaking 'A Trip Through The Pyrenees', the collection boasts some real gems: a rare late 1960s clip of Jorma Kaukonen and Jack Casady - a.k.a. Hot Tuna doing 'Hesitation Blues', Bert Jansch delivering a soulful version of 'One For Jo', John Fahey crooning while plucking a Gibson L-00 on a plaintive 'Poor Boy' and Adrian Legg at his peg-twisting best on 'Midwest Sunday'... It's a wonder seeing these greats do what they do up close without those often clumsy instructional asides, and without getting a lot of smoke in your face. A real treat."

If you're expecting some nice safe guitar muzak, then you're in for a real shock! Rick Ruskin's remarkable style captures all the nuances of a band/rhythm-section and transforms the parts into amazing, in-the-pocket fingerstyle grooves like you've never imagined on a single guitar! Split-screen video format covers: right- and left-hand technique, walking-bass and counterpoint lines, open-voiced triads, simultaneous bass/rhythm/lead parts, pedal-steel effects, double-stop bends, harmonics and more. The techniques are immediately put to use in extraordinary instrumental versions of: Rikki Don't Lose That Number (Steeley Dan), Georgia On My Mind and four originals, each in standard tuning. His meticulous blow-by-blow analysis of each phrase is loaded with variations and insight that show how to transform the essence of any tune into dynamic arrangements of your own. Truly an important work that should not be missed!

Learn to play in DADGAD, the popular guitar tuning that gives many Celtic and British Isles instrumentals their special beauty and power. Al Petteway shows you how to play exquisite arrangements using droning bass notes, slides, bends, trills and other guitar tricks to imitate the haunting sounds of harps and pipes.

Twelve beautiful new arrangements for solo acoustic guitar. Including: Angels We Have Heard on High * The First Noel * Go Tell It on the Mountain * Have Yourself a Merry Little Christmas * In Dulce Jubilo * It Came Upon a Midnight Clear * Joy to the World * Let All Mortal Flesh Keep Silence * O Come Little Children * O Little Town of Bethlehem * Silent Night * Winter Wonderland.

For some time now, I have periodically made transcriptions of early pieces mainly for my own enjoyment. My interest in early music runs parallel to my interest in Western folk music. It was, and still is, intriguing to consider the characteristics that are common to both. I discovered that even whole pieces, thought to exist in manuscript only, occasionally cropped up remarkably intact in current folk playing, and instruments long assumed silent were found to be still sounding in remote areas of Europe. I began by taking a medieval dance tune and treating it as I would a jig or reel, or drawing on contrapuntal practice in making arrangements of folk songs.

The ancient Celtic repertoire offers the fingerstyle guitarist a tantalizingly wide range of moods and emotions from sad laments to lyrical ballads to vibrant dance rhythms. This collection presents a vast array of fingerpicking guitar solos settings on timeless airs, hornpipes, reels, planxties, set dances, jigs, slip jigs, marches, songs and compositions by the renowned 17th century blind Irish bard, Turlough O'Carolan. The solos are in varied guitar tunings and are presented in notation and tablature. Performance notes and suggested listening guides are also included.

If you're expecting some nice safe guitar muzak, then you're in for a real shock! Rick Ruskin's remarkable style captures all the nuances of a band/rhythm-section and transforms the parts into amazing, in-the-pocket fingerstyle grooves like you've never imagined on a single guitar! Split-screen video format covers: Right- and left-hand technique, walking-bass and counterpoint lines, open-voiced triads, simultaneous bass/rhythm/lead parts, pedal-steel effects, double-stop bends, harmonics and more. The techniques are immediately put to use in extraordinary instrumental versions of: Rikki Don't Lose That Number (Steeley Dan), Georgia On My Mind and four originals, each in standard tuning. His meticulous blow-by-blow analysis of each phrase is loaded with variations and insight that show how to transform the essence of any tune into dynamic arrangements of your own.

Twelve accessible solos in several styles and tunings from various parts of the world. Includes works by: Stephen Bennett, Tom Doyle, Howard Emerson, Joлl Fafard, Tim Farrell, Simon Fox, Richard Gilewitz, Paolo Giordano, Phil Heywood, Sean McGowan, David Qualey, and Brad Richter. Written in standard notation and tablature for the intermediate to advanced guitarist.

In this second lesson on Celtic Fingerstyle Guitar, Tony McManus explores all the dance rhythms of Scottish music, with its pipe-marches, strathspeys, single and double jigs, slip jigs and reels. Three unusual tunings are presented: CGCGCD, CGDGCD and DAAEAE. These tunings are used to better maintain the integrity of the music and Tony has been notably successful in translating the complex music of the highland bagpipes to the guitar. The idea and playing of sets is presented as well as further exploration of ornamentation techniques.

This anthology includes both new pieces and outstanding previously published fingerstyle tunes. Veteran performers and talented young upstarts are given a forum for their best work. Includes 3 CD's! Intermediate to advanced in difficulty with nearly all pieces appearing in standard notation with tablature.

This collection of twelve challenging fingerstyle guitar solos in notation and tablature presents works by both relative newcomers and seasoned world-class performers. This eclectic group of compositions should appeal to players and listeners alike, be it country, blues, ragtime, jazz, Celtic, or gorgeous ballads that suit your fancy. It will require serious practice for most guitarists to master these tunes, but the rewards should be commensurate whether you play strictly for your own enjoyment or make your living in whole or in part as a guitarist.

Tony McManus is an adept master of Celtic fingerstyle guitar, both in terms of adapting Celtic music to the guitar, and in its performance - presenting all its intricacies, graces, and frills, yet at the same time maintaining the pace and drive which characterizes the style of this music. In this first lesson, Tony discusses in detail the importance of ornamentations and triplets in Celtic music and how this can be technically achieved. He illustrates these ideas with several melodies played in a Dropped D tuning. This is followed by a discussion of scales and fingerings and playing reels in the DADGAD tuning. This is a challenging lesson for the fingerstyle guitar student interested in learning Celtic music from one of the finest players of this idiom.

Al Petteway continues his excellent lesson with five beautiful and evocative guitar instrumentals in the Celtic style. This time, he covers songs and effects that can be attained through a variety of tunings, including standard, dropped-D, open G and low C.

British traditional folk music is rooted in a vocal tradition of hundreds of years as well as a strong dance culture. It is not bound by any time or bar structure. The guitarist must find ways to explore, reinforce, accent and embellish these melodies. Martin Carthy has successfully done this with the C G C D G A tuning. He plays with a heavy percussive attack and has a unique sense of phrasing and a strong emotional and atmospheric feel for his music. In this DVD lesson, Martin explains in detail his playing techniques and style for seven of his most popular arrangements.

How do you play a bass-guitar duet on a single instrument? How do you accomplish this without sacrificing the feel and swing of the music? Martin Taylor is the master of this technique and in this unique lesson, he demonstrates his style and technique with five classic jazz standards.

An accomplished fingerstyle guitarist needs to have full control of his or her picking hand along with a complete knowledge of the guitar fingerboard. Peter Huttlinger provides you with the advice, practice routines and exercises that will enable you to play with good tone, strict timing and confidence.