This delightfully breezy, richly atmospheric debut by a former journalist who covered Savannah's infamous Midnight in the Garden of Good and Evil murder trials fails to generate much suspense, but it derives its charm from an encyclopedic trove of lore about antiquities and dishy gossip, Southern style.

The Junior League of Savannah shares a bit of that style with 464 recipes from the citys best cooks along with enthralling glimpses into Savannah s social and culinary history

Experience a place the way the locals do. Enjoy the best it has to offer. And avoid tourist traps. Frommers Portable Guides help you make the right travel choices. Theyre easy to carry–and carry an unbeatable price. Frommers. Your guide to a world of travel experience. Put the Best of Savannah in Your Pocket

Al Bundy is a misanthropic women's shoe salesman with a miserable life. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dimwitted and promiscuous.

Steve Stern is a wonderful writer. He is often overlooked and deserves to be more widely read. This book may be one of his best. It has all the stuff that he is known for in it, and the conceit is just dynamite. Wish more people would take note of this author.

CreativeCOW.net, home of the Creative Communities of the World, has what many consider to be the top-rated After Effects online community -- a community headed by a team of industry professionals, who are joined by a worldwide community of users whose ideas, feedback and support make the Cow''s AE forum a vital and creative mainstay for tens of thousands of motion graphics artists. The Cow library contains hundreds of After Effects tutorials and the Cow Team is at work translating some of these tutorials into pod-friendly versions. The Cow''s After Effects podcast also contains tutorials and other materials that are exclusive to the After Effects podcast.

Mike Stern, live from the 55 Bar in New York City, the historical club in which Mike has played for over 15 years. Also includes an interview with Satoshi Inoue including insight into his background, influences and practice routines. Mike goes through every one of the featured songs (which vary from blues and standards to ballads), explaining their individual significance. In addition, practical lessons are included so that viewers can try to emulate Mike's expert techniques.

This introductory text assumes little prior scientific knowledge on the part of the student. It includes sufficient information for some shorter introductory botany courses open to both majors and nonmajors, and is arranged so that certain sections can be omitted without disrupting the overall continuity of the course. Stern emphasizes current interests while presenting basic botanical principles.

The subtitle inclines one to believe that Superman and the Justice League are up against an indestructible and ceaseless force in this full cast production. In an ironic twist, that foe turns out to be the weather. With each of the heroes' cities besieged by tornadoes, blizzards, gigantic hail and lighting storms, Superman must rally and lead the Justice League to victory by determining who or what is manipulating the weather. Narrator Richard Rohan (who also directed the production) drives the story with a commanding voice that uses speed and emphasis to create momentum and intensity within the story. With an energetic soundtrack of sound effects, listeners will certainly feel the excitement generated by this compelling production.

This is the first of many WDM Exclusive Productions. This 3 part special features a selection of clips and segments hand picked by the King Of All Stern Media himself and thankfully hosted by a great member and contributor, Whiteyford1. From the ground up this special was produced and mixed from scratch. The special is broken into parts to make it easier to download and listen to since it is a very long production. They all go together to create one ongoing special

This set is, indeed, complete, including as it does the six standard trios as well as the op. 11 work that Beethoven originally wrote for a clarinet, but later arranged for violin. The performances were, to judge from viewing, given exclusively for video, no audience evidently being present. The third of the op. 1 set and op.11 are in black and white; everything else is color. Throughout, the picture quality is excellent. The mono sound, however, is disappointing for the vintage: somewhat brittle in the piano and shrill in the violin. Much of this can be corrected with good tone controls, however. Prior to filming these performances, this triumvirate recorded studio versions of these works that were widely admired. Nearly all of what is offered here is in the same class: well-organized, vibrant readings attuned to the wit, drama, and lyricism of these remarkable scores. Everything in op. 1 works well, as does the violin version of op. 11. The two trios in op. 70 are, of course, studies in contrast—No. 1 comprising some of the most explosive chamber music that Beethoven ever composed, No. 2 more lyrical and experimental, its eerie opening being a case in point. Both works are impressively played, No.1 (“Ghost”) projected with thrilling energy and spooky delicacy.