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This box set earns the "deluxe" designation not only because of its handsome packaging, insightful essays by Holiday scholars, and testimonials from the likes of Tony Bennett, Sonny Rollins, and Etta James, but also because of the vastly improved remastered sound that makes Lady Day the definitive issue of Billie Holiday's pivotal 1930s and '40s Columbia/Vocalion/Brunswick/OKeh oeuvre. The sides here include epochal collaborations with Count Basie, Benny Goodman, Lester Young, Teddy Wilson, and others. Six-plus discs chronologically present 151 masters, with the rest of the 10 CDs' space given to alternate takes and radio air checks.
It was during the early years of this period, of course, that Holiday quickly developed into one of the 20th century's vocal monuments. Her incisive way with lyric and melody, often deploying playfulness, wit, and pain in a single song, became a model for both many a female singer, as well as Frank Sinatra and Marvin Gaye. These are records to be endlessly replayed for many kinds of appreciation. Played end to end, they introduce ideals of groove and emotional expression that remain fresh and even startling many years on. Lady Day is not only a perfect example of how to reissue key material, but is an album that will stand as a beacon for veteran Holiday fans and for the new ones it will no doubt attract. --Rickey Wright

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That's right: Ten CDs with everything Billie Holiday recorded on Verve Records between 1945 and her death in 1959--not only the songs, but concert introductions, some of the rehearsals, and between-take studio chatter, too. All of which makes for a definitive portrait of Lady Day in her final years. For a long time these recordings were disparaged because it was said her voice was no longer fine and mellow, "ravaged" by hard living, jail time, booze, and drugs. And there's no question that her later tone is darker, more brittle and unstable than it had been in the '30s--but somehow I find myself listening to this music more often than those Brunswick/Columbia or Decca sides, anyway. Like Frank Sinatra, who so often paid tribute to her influence, Holiday's artistry was never based on virtuosity; it was about interpretation, bringing out the emotions in a song and giving a personal reading. She never stopped doing that, and for all the "strange fruit" you'll find in this collection, it's a gold mine. --Jim Emerson