Photoshop CS3 Color Correction is all about color: from customizing Photoshop color settings to accessing color correction tools with keyboard shortcuts to understanding the intricacies of histograms. Color correction expert Taz Tally Ph.D., explains each step of the process, including how to evaluate an image, determine what steps are required, adjust image dimensions, linear resolution, and mode, identify and correct shadows, remove screens and noise, retouch flaws, use curves and the color sampler, and much more. Exercise files accompany the tutorials.

In this course, author Robbie Carman details the principles of color grading in Final Cut Pro X, while explaining how to enhance and stylize footage. The course spells out the differences between primary and secondary corrections and demonstrates fixing problematic footage with contrast corrections and neutralizing color casts. The course also discusses secondary corrections with shape and color masks and explains how to make projects broadcast safe. Additional topics include evaluating clips using the video scopes, and how to create stylized looks. Exercise files accompany the course.

In Premiere Pro: Color Correction and Enhancement, Adobe Certified Instructor Jeff Sengstack streamlines the color-correction workflow and provides practical methods for improving the color and tonality of footage in post-production. The course details basic color-correction concepts, addresses colorcasts and exposure errors, and shows how to match color among multiple clips. The course also covers secondary correction techniques, such as limiting tonality and color modifications to specific portions of a clip with track mattes, and shows how to create stylized looks by tinting footage, incorporating gradients and vignettes, and using the Magic Bullet Looks plug-in. Exercise files accompany the course.

In Premiere Pro: Color Correction and Enhancement, Adobe Certified Instructor Jeff Sengstack streamlines the color-correction workflow and provides practical methods for improving the color and tonality of footage in post-production. The course details basic color-correction concepts, addresses colorcasts and exposure errors, and shows how to match color among multiple clips. The course also covers secondary correction techniques, such as limiting tonality and color modifications to specific portions of a clip with track mattes, and shows how to create stylized looks by tinting footage, incorporating gradients and vignettes, and using the Magic Bullet Looks plug-in. Exercise files accompany the course.

In Premiere Pro: Color Correction and Enhancement, Adobe Certified Instructor Jeff Sengstack streamlines the color-correction workflow and provides practical methods for improving the color and tonality of footage in post-production. The course details basic color-correction concepts, addresses colorcasts and exposure errors, and shows how to match color among multiple clips. The course also covers secondary correction techniques, such as limiting tonality and color modifications to specific portions of a clip with track mattes, and shows how to create stylized looks by tinting footage, incorporating gradients and vignettes, and using the Magic Bullet Looks plug-in. Exercise files accompany the course.

Improve and enhance black and white and color photographic images quickly and easily. Exposure errors and faded photographs are now a thing of the past. Accurately adjusting skin tone, removing colorcasts and color correction are essential skills in digital photography. Add to the richness of a photograph with color enhancement and dramatic lighting effects. Now you can apply these professional techniques, step-by-step to your photographs and digital image creations.

If you only buy one Katrin Eismann video, it should be Professional Photoshop Tone, Exposure & Color Correction. Improve and enhance black and white and color photographic images quickly and easily. Exposure errors and faded photographs are now a thing of the past. Accurately adjusting skin tone, removing colorcasts and color correction are essential skills in digital photography. Add to the richness of a photograph with color enhancement and dramatic lighting effects. Now you can apply these professional techniques, step-by-step to your photographs and digital image creations.

Kathryn Eismann - leading the course - she gives master classes and has a good learning experience of people, in addition to being a world-renowned professional in the field retouching, restoration, transformation of images. Therefore, all the material of the course - on the tonal and color correction - a very well worked methodically

Description: Based on the device-independent CIE specification from 1976, Lab color is frequently misrepresented as a techy, labor-intensive color space. In fact, Lab color performs certain types of color modifications more quickly and with better results than RGB. In Photoshop CS3 Mastering Lab Color, Deke McClelland explores how to use Lab color "to make bad photographs great and great photographs even better." He demonstrates image manipulations that are best suited to Lab, and walks through a typical, non-destructive Lab correction. Deke also shows how to correct lighting, apply selective color modifications, and reverse the effects of color cast. Exercise files accompany the course.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying and editing color. The course looks at concepts such as the color
wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course

Based on the device-independent CIE specification from 1976, Lab color is frequently misrepresented as a techy, labor-intensive color space. In fact, Lab color performs certain types of color modifications more quickly and with better results than RGB. In Photoshop CS3 Mastering Lab Color, Deke McClelland explores how to use Lab color "to make bad photographs great and great photographs even better." He demonstrates image manipulations that are best suited to Lab, and walks through a typical, non-destructive Lab correction. Deke also shows how to correct lighting, apply selective color modifications, and reverse the effects of color cast. Exercise files accompany the course.

In Photoshop for Designers: Color, Nigel French focuses on the tools and features in Photoshop designed for choosing, applying, and editing color. The course looks at concepts such as the color wheel and color harmonies as well as the practicalities of using the Color Picker, leveraging the power of color channels, and the characteristics of different color modes in Photoshop. The course includes exercises on correcting color, enhancing color, shifting and replacing colors, working with spot color channels, hand coloring black and white images, and designing with a reduced color palette. Exercise files are included with the course.

Provides direct access to the skills, insights and techniques of some of the postproduction industry's most prominent digital video colorists, delivering practical skills to the postproduction pro seeking to improve their color grading craft. The author interviews and observes 8 professional colorists as they grade a series of real world video images, describing the methods and techniques each artist uses to reach their finalized image.

Analyze and Optimize the Color in Your Video
Color correction is one of those sets of skills many editors put off for another day — partly because they can make do with simple adjustments, and partly because many of the controls and options are a little alien. In this course, master editor Maxim Jago demystifies color correction and gives detailed explanations of the key controls, options, workflows, and best practices for color correction with Premiere Pro. After being introduced to the standard tools for measuring color and light, you’ll learn about the Fast Color Corrector, the Three-Way Color Corrector, and other color correction effects. You’ll also learn how to fix and match color with presets, as well as how to use After Effects and third-party plug-ins to do the few things that Premiere Pro can’t do. After competing this workshop you’ll have all the skills you need to “fix it in post.”

In this lecture, visual effects artist Matt Linder demonstrates powerful color and layer techniques and how to achieve photo-real imagery in Shake. He discusses digital color theory, the basic math behind each color node, as well as understanding premultiply and unpremultiply, bit depth and Log-to-Lin conversions. Matt shares his tricks for matching colors, targeting specific colors or areas for color, keying for color or using color nodes for keying, and the all powerful ColorX and LayerX nodes. Every color and layer node is thoroughly discussed. The DVD includes color training exercises and numerous production examples.

Analyze and Optimize the Color in Your Video
Color correction is one of those sets of skills many editors put off for another day — partly because they can make do with simple adjustments, and partly because many of the controls and options are a little alien. In this course, master editor Maxim Jago demystifies color correction and gives detailed explanations of the key controls, options, workflows, and best practices for color correction with Premiere Pro. After being introduced to the standard tools for measuring color and light, you’ll learn about the Fast Color Corrector, the Three-Way Color Corrector, and other color correction effects. You’ll also learn how to fix and match color with presets, as well as how to use After Effects and third-party plug-ins to do the few things that Premiere Pro can’t do. After competing this workshop you’ll have all the skills you need to “fix it in post.”