Mark Twain is his own greatest character in this brilliant self-portrait, the first of three volumes collected by the Mark Twain Project on the centenary of the author's death.

“I’ve struck it!” Mark Twain wrote in a 1904 letter to a friend. “And I will give it away–to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography.”

Sarah Vaughan recorded frequently during her three years with Roulette, and all 16 albums she completed for them plus five previously unissued tracks are included in this comprehensive eight-CD boxed set from Mosaic. The gifted singer is heard in a variety of settings, from superb small-group sessions to big-band settings and various dates bordering on easy listening; the sessions omitting the often syrupy string sections are the cream of this bumper crop. It's a joy to hear Vaughan sharing the spotlight with Joe Williams and the Count Basie Orchestra (with its leader sitting out in favor of her regular pianist, Kirk Stuart) in a swinging "Teach Me Tonight" and a playful take of "If I Were a Bell"; it's a shame that they never recorded an entire album together. Benny Carter's big-band charts also bring out the best in Vaughan. With the exception of the forgettable "The Green Leaves of Summer," Billy May's provides the vocalist with very compatible settings. The scaled-down session with guitarist Mundell Lowe and bassist George Duvivier is among her greatest achievements of her career; the singer is relaxed and stimulated by her accompanists. A similar follow-up date with Barney Kessel and Joe Comfort is equally rewarding. The sessions which add strings, led by various musicians (Jimmy Jones, Quincy Jones, Lalo Schifrin, Joe Reisman, Don Costa, and Marty Manning) serving as both arranger and conductor, vary greatly in quality. Often first-rate (and sometimes somewhat obscure) material is sabotaged by heavy-handed writing awash in strings. But for the most part, Vaughan's gorgeous voice is able to overcome even bland backgrounds. Mosaic remains the pinnacle of reissue labels with this handsome boxed set, which includes detailed liner notes by James Gavin, lots of session photos, and a thorough discography.

heater star Sarah Brightman turns up the heat in this sexy, baroque DVD counterpart to her 2003 world music CD, Harem. Brightman's artistic purpose on that album--marrying the rhythms of the Middle East to her otherwordly pop sound (as opposed to her boomy, operatic sound)--aren't lost here, but don't expect to catch a glimpse of such exciting studio collaborators as violin star Nigel Kennedy amidst countless shots of the diva in various states of undress. The lavish visual production sets several songs in exotic recreations of fabled harems, where lust is tempered by decorum but sex is clearly on the menu. For a change, Brightman's ethereal version of "Stranger in Paradise" (from Kismet) is shot against a starkly beautiful, mountainous backdrop, and "What You Never Know," a song about the passage of time, includes touching images of children and old people.

Mark Twain is his own greatest character in this brilliant self-portrait, the first of three volumes collected by the Mark Twain Project on the centenary of the author's death. It is published complete and unexpurgated for the first time. (Twain wanted his more scalding opinions suppressed until long after his death.) Eschewing chronology and organization,