This is the ultimate Caetano Veloso fetish item, a 40-disc box set featuring slipcased, CD-size reproductions of the original LPs (with gatefolds when appropriate) of Caetano's complete Phillips/Polygram/Universal catalog, as well as some sexy bonus material.

This second CD in the three-volume series gathering the complete works of Tony Fruscella features the New York trumpeter as a member of the Stan Getz quintet on two different occasions, a studio and club performance, both from 1955. Curiously, Fruscella's role in these titles recalls the lyricism and intimacy attained by Chet Baker on the same context. On the contrary, the date with altoist Chick Maures, (born Wilfred Robert Maures and deceased on July 20, 1954) shows the typical experimental air of the late forties, with a kind of bebop charm, and with Triglia assuming a Tristano-like mode. This session also represents the recording debut of all five jazzmen and Chick's only appearance on record. The last three alternate takes are bonus tracks included in order to complete the corpus of Fruscella's works (not counting his memorable LP recorded for the Atlantic label in 1955).

The finest collection ever assembled on Slade's hit-making heyday, Feel the Noize: The Very Best of Slade contains all of the group's hit singles from the early '70s, from 1971's "Get Down and Get With It" to 1975's "Thanks for the Memory (Wham Bam Thank You Mam)." In between those two songs, all of the group's big, dumb, irresistible, and misspelled hits -- "Cuz I Luv You," "Take Me Bak 'Ome," "Mama Weer All Crazee Now," "Gudbuy T'Jane," "Cum On Feel the Noize," "Skweeze Me Pleeze Me" -- are featured. Though it is missing latter-day hits like "My Oh My," Slade never got better than they did at their stomping glitter-rock peak, and Feel the Noize

The task of following up their seminal debut album was daunting, but the Jesus And Mary Chain accomplished it with style on sophomore collection Darklands. A more subtle and understated album, it nevertheless contains their biggest chart hit in “April Skies” and several of the Reid brothers’ most loved songs. Premiering a more expansive and nuanced sound, Jim and William wrote, produced and played everything on here.